This Week in New York Insider's Guide to Arts & Culture in New York City Since 2001



Taryn Simon examines her new photography installation at MoMA and will discuss it on May 13 at MoMA PS1 (photo by twi-ny/mdr)

22-25 Jackson Ave. at 46th Ave.
Sunday, May 14, $10, 12 noon - 6:00

As it prepares for its summer Warm Up series, MoMA PS1’s final Sunday Sessions program will be held on May 13. In addition to your last chance to see the exhibitions “Darren Bader: Images” and “Kraftwerk ― Retrospective 1 2 3 4 5 6 7 8,” both of which close on Monday, legendary DJ Afrika Bambaataa will pay tribute to the German electronic music pioneers from 3:00 to 6:00 in the Performance Dome. Also at 3:00, artbook @ moma ps1 will host the book discussion group “A Short Course on Resistance.” Food will be available from Long Island City favorites M. Wells, and the exhibitions “Lara Favaretto: Just Knocked Out,” “Max Brand: no solid footing ― (trained) duck fighting a crow,” “Rania Stephan,” and “Frances Stark: My Best Thing” will also be open. We’re most looking forward to the 2:00 conversation between native New York artist Taryn Simon and MoMA PS1 associate curator Jenny Schlenzka on the occasion of the publication of Simon’s A Living Man Declared Dead and Other Chapters, I-XVIII, the catalog to the exhibition currently on view in MoMA’s photography wing. Native New Yorker Simon, whose “Contraband” filled the Lever House lobby in late 2010 with thousands of photos of items that were confiscated at JFK International Airport, has now turned her attention on bloodlines, cataloging families from around the world, organizing them in very specific order, accompanied by photos of documents and other paraphernalia relating to their story. Nine of the chapters can be seen at MoMA, including the Indian Yadav clan, which is fighting to regain land they lost when Shivdutt Yadav was wrongly listed as being deceased; the Ondijos of Kenya, where HIV/AIDS doctor Joseph Nyamwanda Jura Ondijo has nine wives, thirty-two children, and sixty-three grandchildren; the sadly small Mehićs and Nukićs of Bosnia and Herzegovina, victims of genocide; the Chinese family of Su Qijian, declared by China’s State Council Information Office as the best representative of multigenerational Chinese bloodlines; and a large group of children living in a Ukrainian orphanage. Simon also spends one chapter depicting dozens of Australian rabbits used for experimentation that ultimately died during the tests or were later euthanized. A Living Man Declared Dead and Other Chapters, which continues at MoMA through September 3, is a fascinating, involving collection of photographs of life and death, of science and politics, of the known and the unknown, intricately organized and arranged to create a complex, compelling visual narrative.

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