This Week in New York Insider's Guide to Arts & Culture in New York City Since 2001



Who: Netta Yerushalmy
What: Dance series with performance and live discussion
Where: Netta Yerushalmy website
When: May 4-9, free, 3:00 (videos with Q&As will remain online through May 24)
Why: Last year, New York City-based choreographer and dancer Netta Yerushalmy presented her full six-part, four-hour series, Paramodernities, at New York Live Arts. Each work, which had been previously individually staged at such locations as Judson Church, the National Museum of the American Indian, Live Artery at New York Live Arts, the 92nd St. Y, and Madison Square Park, deconstructs and re-creates a classic dance piece through performance, text, and discussion, with dancers and scholars participating. I was fortunate to catch several iterations (#s 2&3, rehearsals for #5), which all proved to be captivating and involving; the choreographers who get the Yerushalmy treatment are Vaslav Nijinsky, Martha Graham, Merce Cunningham, Alvin Ailey, Bob Fosse, and George Balanchine. Every day from May 4 to 9 at 3:00, Yerushalmy will stream one work, followed by a live discussion and Q&A with special guests.

The wide-ranging, diverse cast consists of dancers Michael Blake, Gerald Casel, Marc Crousillat, Brittany Engel-Adams, Joyce Edwards, Stanley Gambucci, Taryn Griggs, Magdalena Jarkowiec, Nicholas Leichter, Jeremy Jae Neal, Hsiao-Jou Tang, Megan Williams, and Yerushalmy, with scholars and writers Thomas F. DeFrantz, Julia Foulkes, Georgina Kleege, David Kishik, Carol Ockman, Mara Mills, and Claudia La Rocco. “This project requires people to really care about different kinds of knowledge and to want to implicate their bodies in this very different kind of space and to be vulnerable,” Yerushalmy says about Paramodernities, which will be a new experience when viewed from our homes, where we are sheltering in place, unable to be physically together. I can’t recommend Paramodernities Live highly enough; it is an innovative platform that explores the past, present, and future of dance through a sophisticated and experimental historical context that will leave you in awe.

Monday, May 4
Paramodernities #1: The Work of Dance in the Age of Sacred Lives
A response to Vaslav Nijinsky’s Le Sacre du Printemps (1913)
with special guest Jack Halberstam

Tuesday, May 5
Paramodernities #2: Trauma, Interdiction, and Agency in “The House of Pelvic Truth”
A response to Martha Graham’s Night Journey (1947)
with special guest Pam Tanowitz

Wednesday, May 6
Paramodernities #3: Revelations: The Afterlives of Slavery
A response to Alvin Ailey’s Revelations (1960)
with special guest Tracy K. Smith

Thursday, May 7
Paramodernities #4: An Inter-Body Event
with material from Merce Cunningham’s Rainforest, Sounddance, Points in Space, Beach Birds, and Ocean (1968-90)
with special guest Fred Moten

Friday, May 8
Paramodernities #5: All That Spectacle: Dance on Stage and Screens
A response to Bob Fosse’s Sweet Charity (1969 film)
with special guest Jeremy O. Harris

Saturday, May 9
Paramodernities #6: The Choreography of Rehabilitation: Disability and Race in Balanchine’s Agon
A response to George Balanchine’s Agon (1957)
with special guest Peter N. Miller

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