Ami Tomite stars in Sion Sono’s bizarre, beguiling, anarchistic Anti-Porno
ANTI-PORNO (ANCHI PORUNO) (アンチポルノ) (Sion Sono, 2016)
Metrograph
7 Ludlow St. between Canal & Hester Sts.
April 4-6, 3:00 & 10:30
212-660-0312
metrograph.com
www.nikkatsu-romanporno.com
“I’m a virgin. A virgin, but a whore,” successful novelist, painter, and fashion designer Kyoko (Ami Tomite) says at the beginning of Sion Sono’s bizarre, deliciously candy-colored, and anarchic Anti-Porno, screening April 4-6 in the “Late Nites at Metrograph” series. You never know what to expect from Siono, whose previous films include the wild and wacky Love & Peace, the wild and crazy Why Don’t You Play in Hell? and the strangely beautiful and touching Himizu. Anti-Porno is part of Nikkatsu’s Roman Porno Reboot Project, a celebration of the forty-fifth anniversary of the studio’s Japanese softcore films, which began in 1971 with Shōgorō Nishimura’s Apartment Wife: Affair in the Afternoon and continued through 1988 with Daisuke Gotō’s Bed Partner. In true Sono style, he honors the format by confusing fiction with reality, star characters with minor newbies, and the past with the present in ways that are as exhilarating as they are confounding.
Anti-Porno offers a candy-colored look at sex and power
The story takes place primarily in a spectacular apartment decked out in bright yellows, blues, and reds, with large-scale paintings and a lushly alluring open bathroom. Kyoko is a self-obsessed terror who abuses her dedicated assistant, Noriko (Mariko Tsutsui) — or is it the other way around? “I want to be a whore like you,” Noriko begs. There’s fetishism galore, plenty of nudity, a lizard trapped in a bottle, incest, an audience of girls in Sailor Moon outfits, sycophantic hangers-on, a mysterious sex film, and then a man yells, “Cut!” Soon you’re not sure who’s in charge, who’s the lead, and whether you’re watching a movie, a movie-within-a-movie, or a novel-within-a-movie-within-a-movie. “This isn’t my life!” Kyoko screams. Or is it? Sono, who also wrote the script, uses the porn format to question ideas of sexuality, misogyny, freedom, abuse, feminism, exploitation, dominance, art, power, and pornography itself, resulting in a rousing, er, climax. The gorgeous production design is by Takashi Matsuzuka, with striking cinematography by Maki Ito, raunchy costumes by Kazuhiro Sawataishi, and an inventive, wide-ranging score by Susumu Akizuki. “Late Nites at Metrograph” continues Thursday, Friday, and Saturday evenings with such other unusual fare as Stuart A. Staples’s Minute Bodies: The Intimate World of F Percy Smith, Werner Herzog’s Bad Lieutenant: Port of Call New Orleans, and Bertrand Bonello’s House of Tolerance.