This Week in New York Insider's Guide to Arts & Culture in New York City Since 2001

25Mar/18

JOANNA KOTZE: WHAT WILL WE BE LIKE WHEN WE GET THERE

(photo by Carolyn Silverman)

Joanna Kotze’s What will we be like when we get there will make its world premiere March 28-31 at New York Live Arts (photo by Carolyn Silverman)

New York Live Arts
219 West 19th St. between Seventh & Eighth Aves.
March 28-31, $15-$25, 7:30
212-924-0077
newyorklivearts.org
www.joannakotze.com

Joanna Kotze has been dancing in New York since 1998 and creating her own works since 2009, collaborating with a wide range of artists and performing virtually nonstop. The South Africa-born, Brooklyn-based dancer, choreographer, and teacher will be at New York Live Arts this week with her latest commission, the interdisciplinary What will we be like when we get there, running March 28-31. The piece, part of the New York Live Arts Live Feed residency program, has been developed at the Sedona Arts Center, the Lower Manhattan Cultural Council on Governors Island, Bennington College, Jacob’s Pillow, the 92nd Street Y, the Milvus Artistic Research Center, and other locations around the world and now will make its world premiere in Manhattan. The interdisciplinary work, inspired by the 2016 presidential election and exploring personal connections impacted in the wake of that, was conceived and directed by Kotze (FIND YOURSELF HERE; It Happened It Had Happened It Is Happening It Will Happen) and choreographed and performed by Bessie Award winner Kotze, visual artist Jonathan Allen, sound designer, composer, and musician Ryan Seaton, and dancer and choreographer Netta Yerushalmy; the lighting is by Kathy Kaufmann. The March 28 performance will be followed by a discussion with Allen about his lobby exhibition of related paintings, “Knowing That Your House Is on Fire,” on view March 26 through April 13; the March 29 performance will feature a Stay Late Conversation moderated by Okwui Okpokwasili; and the March 31 show will be followed by live music curated by Seaton.

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