Japan Society’s four-part “NOH-NOW” series, which began with Luca Veggetti’s Left-Right-Left and Hiroshi Sugimoto’s Rikyu-Enoura, continues with SITI Company’s adaptation of Yukio Mishima’s Hanjo, running December 7-9. (SITI presented a staged reading of Hanjo at Japan Society in May 2007.) Freely adapted by Japanese author, poet, and filmmaker Mishima (The Sailor Who Fell from Grace with the Sea, Madame de Sade) from Seami Motokiyo’s fourteenth-century noh play about love and betrayal, the work features three characters, the mad girl Hanako, the spinster Jitsuko, and a young man, Yoshio, performed in rotation through three iterations by Akiko Aizawa (who just appeared in Ripe Time’s adaptation of Haruki Murakami’s Sleep at BAM), Gian-Murray Gianino, and Stephen Duff Webber. Leon Ingulsrud directs the bilingual production from his translation, with live music composed and played by violist Christian Frederickson, sets and lighting by Brian H Scott, costumes by Mariko Ohigashi, and choreography by Wendell Beavers. Founded by Anne Bogart and Tadashi Suzuki in 1992, the company has previously staged such inventive works as Chess Match No. 5, bobrauschenbergamerica, Steel Hammer, and Bob and, in its early years, were regulars at the Toga Festival in Japan. The December 7 show at Japan Society will be followed by a reception with members of the company, while the December 8 performance will be followed by a Q&A with the artists. “NOH-NOW” concludes January 11-14 with Satoshi Miyagi’s Mugen Noh Othello as part of the Public Theater’s Under the Radar Festival.