St. Mark’s Church in-the-Bowery
131 East Tenth St. between Second & Third Aves.
June 23 - July 1, free (advance RSVP recommended), 6:00 - 10:00 pm
Photographer David Michalek and choreographer Yvonne Rainer have teamed up on SlowDancing/TrioA, a free multimedia installation on view nightly at Danspace Project from June 23 through July 1 from 6:00 to 10:00. Ten years ago, Michalek first showed Slow Dancing, hyper-slow-motion videos of dancers and choreographers filmed for five seconds and stretched into ten-minute portraits. “I love dance. I love watching it. I love what dancers do, who they are, and what they stand for,” Michalek, who is married to Wendy Whelan, explains on his website about the series. Michalek has now turned his attention to Rainer’s iconic 1966 Trio A, which was part of the larger work The Mind Is a Muscle. “The dance has been understood as inaugurating a new field of practice that embraced laconic movements and ordinary bodies, and helped usher in postmodern, task-based dance,” Berkeley associate professor of art history Julia Bryan-Wilson wrote in October magazine in 2012. “In addition, Trio A has refigured what it means to talk about the medium — or mediums — of contemporary art.” For their collaboration, Michalek filmed forty-six dancers performing the approximately five-minute piece, with each participant getting seven seconds onscreen. The cast includes Siobhan Burke, Emily Coates, Robbie Cook, Jodi Melnick, Elliot Mercer, Richard Move, Wendy Perron, Stephen Petronio, Francisca Quintanilla, Macy Sullivan, David Thomson, Isabelle Vergara, Timothy Ward, Rainer, Whelan, and Raindears company member Pat Catterson, who worked with Rainer on the project and performed the piece at MoMA in 2009. There will be a trio of 6:30 conversations during the week-long run, with choreographer Hilary Easton on June 24, Lydia Bell on June 27, and Judy Hussie-Taylor on June 29, who all contributed to a print program guide as well. “Trio A is a dance that both does and does not want to perform, both does and does not want to be filmed,” Coates writes in the guide. “So it alters the expectations of the medium. Yvonne ‘Trio A-ifies’ David’s screens from within, forcing viewers, yet again, to reconsider their own desires in relation to an image. . . . Trio A questions the nature of performance itself.” Admission is free but advance RSVP is recommended here.