Boris Lermontov (Anton Walbrook) and Victoria Page (Moira Shearer) contemplate their future in Michael Powell and Emeric Pressburger’s THE RED SHOES
MARTIN SCORSESE RETROSPECTIVE: THE RED SHOES (Michael Powell & Emeric Pressburger, 1948)
Museum of the Moving Image
35th Ave. at 36th St., Astoria
Sunday, April 2, $15, 7:00 (with Schoonmaker introduction)
Sunday, April 9, $15, 4:00
Series runs through October 23
718-777-6800
www.movingimage.us
Michael Powell and Emeric Pressburger’s The Red Shoes is a lush, gorgeous examination of the creative process and living — and dying — for one’s art. Sadler’s Wells dancer Moira Shearer stars as Victoria Page, a young socialite who dreams of becoming a successful ballerina. She is brought to the attention of ballet master Boris Lermontov (Anton Walbrook) and soon is a member of his famed company. Meanwhile, composer Julian Craster (Marius Goring), whose music was stolen by his professor and used in a Lermontov ballet, also joins the company, as chorus master. As Vicky and Julian’s roles grow, so does their affection for each other, with a jealous Lermontov seething in between. Inspired by Sergei Diaghilev and the Ballets Russes, The Red Shoes is a masterful behind-the-scenes depiction of the world of dance, highlighted by the dazzlingly surreal title ballet, which mimics the narrative of the central plot. Based on the Hans Christian Andersen fairy tale, the fifteen-minute ballet takes viewers into a completely different fantasy realm, using such cinematic devices as jump cuts and superimposition as the drama unfolds well beyond the limits of the stage. To increase the believability of the story and make sure the dance scenes were effective, Powell and Pressburger enlisted players from the international dance community; the film’s cast includes Russian choreographer and dancer Léonide Massine as Lermontov choreographer Grischa Ljubov, French prima ballerina Ludmilla Tchérina as Lermontov star Irina Boronskaja, and Australian dancer Robert Helpmann as Ivan Boleslawsky; Helpmann also served as the film’s choreographer.
Victoria Page (Moira Shearer) gets immersed in a surreal ballet in classic dance drama THE RED SHOES
Brian Easdale won an Oscar for his score, which ranges from sweet and lovely to dark and ominous, with an Academy Award also going to Hein Heckroth’s stunning art direction and Arthur Lawson’s fabulous set design. The film was photographed in glorious Technicolor by Jack Cardiff. Upon meeting Vicky, Lermontov asks, “Why do you want to dance?” to which she instantly responds, “Why do you want to live?” No mere ballet film, The Red Shoes is about so much more. A newly restored 35mm print of The Red Shoes is screening April 2 at 7:00 in the Museum of the Moving Image series “Martin Scorsese: Great Restorations” and “Martin Scorsese Retrospective” and will be introduced by three-time Oscar-winning editor Thelma Schoonmaker, who has worked on all of Scorsese’s films since Raging Bull and was married to Michael Powell from 1984 to 1990. (The film is also being shown April 9 at 4:00 without the introduction.) The series are being held in conjunction with the “Martin Scorsese” exhibition; upcoming screenings include Stuart Heisler’s Journey into Light, Akira Kurosawa’s Dreams, and Sergei Parajanov’s The Color of Pomegranates.