Greta Gerwig and Ethan Hawke star in New York-set romantic comedy MAGGIE’S PLAN
MAGGIE’S PLAN (Rebecca Miller, 2015)
Opens Friday, May 20
sonyclassics.com/maggiesplan
Rebecca Miller channels her inner Woody Allen and Noah Baumbach with the bittersweet romantic comedy Maggie’s Plan, which made its U.S. premiere at the fifty-third New York Film Festival last September. Greta Gerwig is at her loopy best as Maggie, a thirtysomething college arts administrator who, after failing to maintain any relationship for more than six months, decides to become a single mother by impregnating herself with the sperm of an old classmate, Guy (Travis Fimmel), a Brooklyn hipster trying to become a pickle mogul. (He works for the real Brooklyn Brine Co.) Maggie’s married best buds, former boyfriend Tony (Bill Hader) and Felicia (Maya Rudolph), who have just had a baby themselves, debate her decision, but she is determined to forge ahead. As she prepares for the artificial insemination, which she is performing herself, she grows close with older New School adjunct professor John (Ethan Hawke), a ficto-crypto-anthropologist working on his novel. John has two kids of his own but is feeling overwhelmed by his wife, Georgette (Julianne Moore), a wickedly ambitious educator who has just been offered a lofty position at Columbia. Soon Maggie, John, and Georgette are in the midst of a complicated love triangle that is at times as frustrating to watch as it is endearing.
Ethan Hawke and Julianne Moore play a married couple whose relationship is on thin ice in MAGGIE’S PLAN
Miller, the daughter of playwright Arthur Miller, is a novelist and writer-director who has previously made such films as The Ballad of Jack and Rose, which starred her husband, Daniel Day-Lewis, and The Private Lives of Pippa Lee. Inspired by an unpublished novel by Karen Rinaldi, Maggie’s Plan is likely to be Miller’s most popular film, despite the clichéd setup that threatens to be annoyingly obvious and mundane but usually manages to bring out something fresh and charming. The tale evokes such films as Allen’s Manhattan and Baumbach’s Frances Ha, with mumblecore breakout star Gerwig (Nights and Weekends, Hannah Takes the Stairs) again playing a quirky character who seems to live in her own candy-colored fantasy land. Miller even uses cinematographer Sam Levy, who photographed such other Gerwig films as Frances Ha and Mistress America, to shoot Maggie’s Plan. Hawke is in good form as a man caught between two worlds, Hader and Rudolph provide cynical comic relief, and it’s impossible to take your eyes off Gerwig, who once again displays her mesmerizing natural talent, but Moore nearly steals the show as the sensationally dressed and coiffed Georgette, an unrelenting force with a to-die-for Danish-Teutonic accent and an attitude to boot.