16
Feb/16

GUIDO VAN DER WERVE: NUMMER ZESTIEN, THE PRESENT MOMENT

16
Feb/16
Guido van der Werve

Three-channel audiovisual installation by Guido van der Werve explores the id, ego, and superego in provocative ways (photo © Guido van der Werve / courtesy of the artist and Luhring Augustine, New York)

Luhring Augustine
531 West 24th St. between Tenth & Eleventh Aves.
Through February 17, free, 10:00 am — 6:00 pm
212-206-9100
www.luhringaugustine.com

Locations for Dutch artist, triathlete, and classically trained pianist Guido van der Werve’s previous films have included Mount St. Helens, the San Andreas Fault, the summit of Aconcagua in the Andes, the North Pole, and the Arctic Ocean, where he walked across an iceberg while being trailed by a huge ship. For his latest work, Nummer zestien, the present moment, making its debut at Luhring Augustine in Chelsea through February 17, van der Werve, a classically trained pianist who is based in Finland, Amsterdam, and Berlin, takes viewers inside his head, where he explores characters relating to his id, ego, and superego. The three-channel installation follows a trio of groups, one depicting older, naked men and women as they go through such daily activities of waking up, eating, and napping; a second consisting of a mixed-age collection of men and women barefoot and dressed in black, doing yoga and meditating; and the third comprising younger men and women (professional porn actors) engaging in ever-more-intimate acts of sex, with nothing (and we mean nothing) held back. In the center of the gallery is a player piano, which plays a lovely score written and performed by van der Werve, who is not appearing in one of his films for the first time; there’s not even a piano bench for visitors to contemplate his physical presence. The film is divided into twelve sections, each dedicated to a different sign of the zodiac and time of year; the camera movement on all three screens slowly traces the outline of the constellation in the sky. The action on each screen is set in a black room with a soft floor, a kind of visual psyche that highlights the whiteness of the all-Caucasian cast. In addition to relating to Freud’s theories about personality, Nummer zestien, the present moment also brings up issues of life and death as the three groups of people continue their own explorations of the mind and/or body. Van der Werve, who specializes in making films that portray durational activities, has created yet another involving, provocative work, one that will have you considering your own place in the universe, at the present moment.