PRESENT TENSE is one of three Trisha Brown pieces that will be presented at BAM this week (photo by Dirk Bleicker)
BAM Howard Gilman Opera House
30 Lafayette Ave. between Ashland Pl. & St. Felix St.
January 28-30, $25-$65, 7:30
718-636-4100
www.bam.org
www.trishabrowncompany.org
In January 2013, Trisha Brown Dance Company kicked off its “Proscenium Works” tour at BAM, presenting Newark (Niweweorce), Les Yeux et l’âme, I’m going to toss my arms — if you catch them they’re yours, Homemade, and Set and Reset in the Howard Gilman Opera House. The New York–based troupe, which was founded in 1970, took the tour around the world, with stops in Canada, Germany, Slovenia, France, and other countries, and is now returning to BAM for the next-to-last “Proscenium Works” show, being held January 28-30 at BAM. (The grand finale takes place February 4-6 at the University of Washington in Seattle.) The program begins with the seminal 1983 BAM commission Set and Reset, which we described three years ago as “a stirring collaboration” bringing together Laurie Anderson’s hypnotic, repetitive “Long Time, No See,” Robert Rauschenberg’s three-part geometric construction on which newsreel-style black-and-white footage is projected, and lighting by six-time Tony nominee Beverly Emmons. That is followed by Present Tense, Brown’s 2003 work that features aerial choreography set to a score by John Cage and colorful costumes and stage design by artist Elizabeth Murray. (The costumes have been reimagined by Elizabeth Cannon.) The evening concludes with Newark (Niweweorce), in which different-colored wall screens by artist Donald Judd occasionally descend from above and divide the stage into claustrophobic spaces; the piece is set to Judd’s minimalist score that combines silence with bolts of loud noises that resemble the sounds of an MRI, which didn’t exist when Newark (Niweweorce) debuted in 1987. The company includes Cecily Campbell, Marc Crousillat, Olsi Gjeci, Leah Ives, Tara Lorenzen, Carolyn Lucas, Diane Madden, Jamie Scott, and Stuart Shugg. And as a bonus, “Heart and Mind,” an exhibition of Murray’s paintings and drawings, is on view through February 15 in the Diker Gallery Café.