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Enda Walsh’s first opera, THE LAST HOTEL, is part of fourth annual Prototype festival (photo by Hugh O’Conor)

Enda Walsh’s first opera, THE LAST HOTEL, is part of fourth annual Prototype festival (photo by Hugh O’Conor)

Multiple venues
January 6-17, $25 unless otherwise noted

The fourth annual Prototype, consisting of pioneering, cutting-edge opera-theater and music-theater works by classical and postclassical composers, takes place January 6-17, consisting of seven presentations at multiple venues. The world premiere of composer Du Yun and librettist Royce Vavrek’s Angel’s Bone, about two angels returning to earth, features Abigail Fischer, Kyle Pfortmiller, Jennifer Charles, Kyle Bielfield, the Choir of Trinity Wall Street, and NOVUS NY and runs January 6, 9, 10, 12, 13, and 15-17 at 3-Legged Dog Art & Technology Center on Greenwich St. Vavrek also wrote the libretto for composer David T. Little’s Dog Days, making its New York City premiere January 9-11 ($25-$81) at NYU’s Skirball Center; the work is based on the short story by Judy Budnitz. Greek tragedy meets the Vietnam War in composer Heidi Rodewald and librettist Donna Di Novelli’s The Good Swimmer, a first-look presentation running at HERE January 7-17. Irish playwright and screenwriter Enda Walsh (Lazarus, Once, Hunger) wrote the libretto and directs composer Donnacha Dennehy’s The Last Hotel at St. Ann’s Warehouse January 8, 9, 10, 12, and 15-17 ($51-$61). Brooklyn-based five-piece Bombay Rickey brings its cinematic sound to HERE January 8-9 and 15-16 with a sixty-minute opera-cabaret work directed by Kristin Marting. Gregory Frateur and Nicolas Rombouts’s multimedia song cycle Sága makes its American premiere January 9-10 at National Sawdust. And on January 17, FIAF will host a one-time only concert reading of Jorge Sosa and Laura Sosa Pedroza’s La Reina, featuring mezzo-soprano Audrey Babcock, Laura Claycomb, and Christopher Burchett and conducted by David Allan Miller; it will be followed by a discussion moderated by Lawrence Edelson.

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