Juliette Binoche and Kristen Stewart mix fact and fiction in Olivier Assayas’s CLOUDS OF SILS MARIA
CINÉSALON: CLOUDS OF SILS MARIA (Olivier Assayas, 2014)
French Institute Alliance Française, Florence Gould Hall
55 East 59th St. between Madison & Park Aves.
Tuesday, October 6, $14, 4:00 & 7:30 (later screening introduced by Florence Colombani)
Series continues through October 27
212-355-6100
www.fiaf.org
www.ifcfilms.com
The related concepts of time and reality wind through Olivier Assayas’s beautifully poetic, melancholy Clouds of Sils Maria much like actual snakelike clouds slither through the twisting Maloja Pass in the Swiss Alps, as life imitates art and vice versa. Juliette Binoche stars as Maria Enders, a famous French actress who is on her way to Zurich to accept an award for her mentor, playwright Wilhelm Melchior, who eschews such mundane ceremonies. But while en route, Maria and her personal assistant, the extremely attentive and capable Valentine (Kristen Stewart), learn that Wilhelm has suddenly and unexpectedly passed away, and Maria considers turning back, especially when she later finds out that Henryk Wald (Hanns Zischler), an old nemesis, will be there to pay homage to Wilhelm as well, but she decides to go ahead after all. At a cocktail party, Maria meets with hot director Klaus Diesterweg (Lars Eidinger), who is preparing a new stage production of Wilhelm and Maria’s first big hit, The Maloja Snake, but this time Maria would play Helena, an older woman obsessed with ambitious eighteen-year-old Sigrid, the role she originally performed twenty years earlier, to great acclaim. Klaus is planning to cast Lindsay Lohan-like troublemaking star and walking tabloid headline Jo-Ann Ellis (Chloë Grace Moretz) as Sigrid, which does not thrill Maria as her past and present meld together in an almost dreamlike narrative punctuated by the music of Handel and cinematographer Yorick Le Saux’s gorgeous shots of vast mountain landscapes.
Valentine (Kristen Stewart) and Maria (Juliette Binoche) go in search of the Maloja Snake in the Swiss Alps
Clouds of Sils Maria resonates on many levels, both inside and outside of the main plot and the film itself. Assayas (Irma Vep, Demonlover) cowrote André Téchiné’s 1983 film, Rendez-Vous, which was Binoche’s breakthrough; Assayas and Binoche wouldn’t work together again until his 2008 film Summer Hours, similar to the relationship between Wilhelm and Maria. Meanwhile, the story of the play-within-the-film is echoed by the relationship between Maria and Valentine, who are having trouble separating the personal from the professional. It is often difficult to know when the two women are practicing lines and when they are talking about their “real” lives. Binoche (Blue, Caché) is simply extraordinary as Maria, a distressed and anxious woman who is suddenly facing getting older somewhat sooner than expected, while Stewart (The Twilight Saga, On the Road) became the first American woman to win a French César, for Best Supporting Actress, for her sensitive portrayal of Valentine, a strong-willed young woman who might or might not be holding something back. The scenes between the two are riveting as they venture in and out of the reality of the film, their onscreen chemistry building and building till it’s at last ready to ignite. Art, life, cinema, theater, fiction, and reality all come together in Clouds of Sils Maria, as Maria, Assayas, and Binoche take stock of where they’ve been, where they are, and where they’re going. The film is screening at 4:00 and 7:30 on October 6 in FIAF’s CinéSalon series “Theater & Cinema”; the later show will be introduced by Florence Colombani. The Tuesday festival continues through October 27 with such other stage-related dramas as Arnaud Desplechin’s Esther Kahn, Abdellatif Kechiche’s Games of Love and Chance, and François Truffaut’s The Last Metro.