The tragic career of dancer Tanaquil Le Clercq is examined in new documentary
AFTERNOON OF A FAUN: TANAQUIL LE CLERCQ (Nancy Buirski, 2013)
Film Society of Lincoln Center
Walter Reade Theater, 165 West 65th St. between Broadway & Amsterdam Ave.
Monday, September 30, 6:00 pm
Howard Gilman Theater, 144 West 65th St. between Broadway & Amsterdam Ave.
Friday, October 11, 1:00
Francesca Beale Theater, 144 West 65th St. between Broadway & Amsterdam Ave.
Sunday, October 13, 6:00
Festival runs September 27 – October 13
212-875-5601
www.filmlinc.com
“Tanny’s body created inspiration for choreographers,” one of the interviewees says in Nancy Buirski’s documentary Afternoon of a Faun: Tanaquil Le Clercq. “They could do things that they hadn’t seen before.” The American Masters presentation examines the life and career of prima ballerina Tanaquil Le Clercq, affectionately known as Tanny, who took the dance world by storm in the 1940s and ’50s before tragically being struck down by polio in 1956 at the age of twenty-seven. Le Clercq served as muse to both Jerome Robbins, who made Afternoon of a Faun for her, and George Balanchine, who created such seminal works as Western Symphony, La Valse, and Symphony in C for Le Clercq — and married Tanny in 1952. In the documentary, Buirski (The Loving Story) speaks with Arthur Mitchell and Jacques D’Amboise, who both danced with Le Clercq, her childhood friend Pat McBride Lousada, and Barbara Horgan, Balanchine’s longtime assistant, while also including an old interview with Robbins, who deeply loved Le Clercq as well. The film features spectacular, rarely seen archival footage of Le Clercq performing many of the New York City Ballet’s classic works, both onstage and even on The Red Skelton Show. The name Tanaquil relates to the word “omen” — in history, Tanaquil, the wife of the fifth king of Rome, was somewhat of a prophetess who believed in omens — and the film details several shocking omens surrounding her contracting polio. The film would benefit from sharing more information about Le Clercq’s life post-1957 — she died on New Year’s Eve in 2000 at the age of seventy-one — but Afternoon of a Faun is still a lovely, compassionate, and heartbreaking look at a one-of-a-kind performer. Afternoon of a Faun is screening at the New York Film Festival on September 30 at the Walter Reade Theater (followed by a Q&A with the director), on October 11 at the Howard Gilman Theater, and on October 13 at the Francesca Beale Theater.