Back in 2000, documentarian Nina Davenport made Always a Bridesmaid, in which she shared her views on being single and nearly thirty as she worked as a wedding videographer. A dozen years later, in the deeply personal First Comes Love, she turns the camera on her private life once again as she contemplates being single, childless, and forty-one — and takes matters into her own hands, deciding to have a baby on her own. With her best friend, Amy, by her side and her college friend, Eric, agreeing to be the sperm donor, Nina details every critical moment and more as she goes on this intimate journey, opening up her life for all to see. She discusses things with her family, particularly her adoring mother and her distant, hard-to-please father, as well as other relatives and friends, who give their opinions on whether they think it’s a good idea. Several of her acquaintances have also either recently had a baby on their own or are considering it as well, revealing the changing patterns of the American family in the twenty-first century, especially in New York City. Serving as writer, director, producer, editor, cinematographer, and principal subject, Davenport, in the style of one of her Harvard mentors, Ross McElwee (Sherman’s March), holds nothing back, which at times becomes overly self-indulgent and a bit much to take, but the combination of her eagerness and her fears, along with her willingness to show it all, ultimately makes First Comes Love the most human of stories. The film is running July 24-30 at the IFC Center, with Davenport participating in Q&As following the 7:35 screenings on July 24 and 25; it also premieres on HBO on July 29.