5
Jul/13

FIRST SATURDAY: REMIXING THE AMERICAN STORY

5
Jul/13
Valerie Hegarty, “Still Life with Peaches, Pear, Grapes and Crows”; “Still Life with Watermelon, Peaches and Crows”; and “Table Cloth with Fruit and Crows,” canvas, stretcher, paper, acrylic paint, foam, papier-mâché, wire, glue, gold foil, epoxy, fabric, thread, dimensions variable, in “Dining Room, Cane Acres Plantation, Summerville, South Carolina” (photo by Brooklyn Museum)

Valerie Hegarty, “Still Life with Peaches, Pear, Grapes and Crows”; “Still Life with Watermelon, Peaches and Crows”; and “Table Cloth with Fruit and Crows,” canvas, stretcher, paper, acrylic paint, foam, papier-mâché, wire, glue, gold foil, epoxy, fabric, thread, dimensions variable, in “Dining Room, Cane Acres Plantation, Summerville, South Carolina” (photo by Brooklyn Museum)

Brooklyn Museum
200 Eastern Parkway at Washington St.
Saturday, July 6, free, 5:00 – 11:00 (some events require free tickets distributed in advance at the Visitor Center)
212-864-5400
www.brooklynmuseum.org

For its free First Saturday program during the July 4 weekend, the Brooklyn Museum looks back at American history through dance, music, art, literature, and film. “Remixing the American Story” includes live performances by the Hungry March Band, Michael Hill’s Blues Mob, Frankie Rose, the Brown Bag All Stars, and the Redhawk Native American Arts Council, pop-up gallery talks, a dance workshop, a Forum Project discussion on current events, a poetry slam with the Nuyorican Poets Café, a photo booth, sketching of live models based on portraits in the “American Identities: A New Look” exhibition, and screenings of Michael and Timothy Rauch’s StoryCorps’ animated shorts, celebrating the tenth anniversary of the organization that is collecting an oral history of the country. In addition, artist Valerie Hegarty will give a talk about “Alternative Histories,” her fascinating interventions into three of the museum’s period rooms, which have been seemingly destroyed by a murder of crows. The galleries will remain open late so visitors can also check out “John Singer Sargent Watercolors,” “The Bruce High Quality Foundation: Ode to Joy,” “LaToya Ruby Frazier: A Haunted Capital,” “Käthe Kollwitz: Prints from the ‘War’ and ‘Death’ Portfolios,” “‘Workt by Hand’: Hidden Labor and Historical Quilts,” “Gravity and Grace: Monumental Works by El Anatsui,” “Raw/Cooked: Caitlin Cherry,” and other exhibitions.