11
May/13

THALIA DOCS — HAPPY PEOPLE: A YEAR IN THE TAIGA

11
May/13
HAPPY PEOPLE explores the fascinating world of Siberian hunters living in virtual solitude year-round

HAPPY PEOPLE explores the fascinating world of Siberian hunters living in virtual solitude year-round

HAPPY PEOPLE: A YEAR IN THE TAIGA (Dmitry Vasyukov & Werner Herzog, 2010)
Symphony Space, Leonard Nimoy Thalia
2537 Broadway at 95th St.
Sunday, May 12 & 19, 6:00
212-864-5400
www.symphonyspace.org
www.musicboxfilms.com

In just the last few years, master German filmmaker Werner Herzog has ventured deep into space for Wild Blue Yonder, explored the mysteries of Antarctica in Encounters at the End of the World, went spelunking through a prehistoric French cave in the 3D Cave of Forgotten Dreams, and visited an inmate on Death Row in Texas in Into the Abyss. In Happy People: A Year in the Taiga, Herzog and codirector Dmitry Vasyukov follow Russian fur trapper Gennady Soloviev and others as they set their traps and capture their prey, living a solitary existence away from friends and family, but that is exactly how they like it. They do things the old-fashioned way, using the tools and methods of their fathers and their fathers before that, getting by with their hands, their ingenuity, and their brute strength, along with the help of their ever-faithful dogs. Soloviev, who first came to Siberia under the communist regime, decided to stay, doing his part to support the local economy while continuing the Muzhik traditions. He speaks openly and honestly about his daily existence, getting emotional when talking about the bonds he forms with his dogs, and one in particular. The footage was shot several years ago by Vasyukov, and Herzog came upon it quite accidentally, seeing it when paying a surprise visit to a friend. He got in touch with Vasyukov, who allowed Herzog to edit the footage, add a musical score by Klaus Badelt, and write his own English-language narration, which he delivers with great admiration, often getting philosophical about what is being shown onscreen. Unfortunately, the film does not have quite the visual vibrancy of Herzog’s original films, usually shot by cinematographer Peter Zeitlinger, and Herzog’s words lack the personal touch that has made such works as Grizzly Man and My Best Fiend, among many others, so magical. Still, Happy People is a fascinating look at a little-known group of men who live a very different kind of life in the twenty-first century. “You don’t need to pity us; we are proud,” Soloviev told Vasyukov upon learning that Herzog wanted to repurpose the footage. Happy People in no way pities these men, instead celebrating their adherence to the old ways and honoring their intimate connections to nature. Happy People is screening May 12 & 19 at 6:00 at Symphony Space as part of the Sunday series Thalia Docs.