24
Mar/13

THE FILMS OF STANLEY KUBRICK: BARRY LYNDON

24
Mar/13

The sumptuous BARRY LYNDON is a treat for the eyes and ears

BARRY LYNDON (Stanley Kubrick, 1975)
IFC Center
323 Sixth Ave. at West Third St.
Tuesday, March 26, 11:30, 3:00, 8:20
Series runs March 20-28
212-924-7771
www.ifccenter.com

Stanley Kubrick’s lush, romantic epic, Barry Lyndon, is one of the most elegantly visual pictures ever made. Based on William Makepeace Thackeray’s 1844 serialized picaresque novel The Luck of Barry Lyndon, Kubrick’s extravagant three-hour tale follows the shenanigans of one Redmond Barry, played with endless charm by Ryan O’Neal. The man soon to be known as Barry Lyndon has a remarkable knack for survival — or maybe it’s just plain old Irish luck — as he rises in English society via a series of duels (with epees, guns, and bare knuckles), military battles (the Seven Years’ War), and, most prominently, sexual conquests. Consisting of two sections, “By What Means Redmond Barry Acquired the Style and Title of Barry Lyndon” and “Containing an Account of the Misfortunes and Disasters Which Befell Barry Lyndon,” the film features glorious music by Bach, Vivaldi, Handel, Mozart, Schubert, and the Chieftains in addition to absolutely divine locations that lay the groundwork for the sumptuous Oscar-winning art direction by Ken Adam, Vernon Dixon, and Roy Walker and cinematography by John Alcott; virtually every scene contains beautiful shots based on famous paintings, a treat for the eyes and the ears. (Leonard Rosenman took home an Academy Award as well for his adapted score.) The overly long story does drag at times, but it flows better once you get used to O’Neal in the title role. The underappreciated film also has a great supporting cast, with Marisa Berenson as Lady Lyndon, Patrick Magee as the Chevalier de Balibari, Hardy Krüger as Captain Potzdorf, Steven Berkoff as Lord Ludd, Leonard Rossiter as Captain John Quin, and Gay Hamilton as Nora Brady. A DCP projection of the film is screening March 26 as part of the IFC Center series “The Films of Stanley Kubrick,” which includes every one of the director’s feature works as well as A.I. Artificial Intelligence, a collaboration with Steven Spielberg, all shown in advance of the March 29 theatrical release of Rodney Ascher’s Room 237, a documentary that delves into the many metamysteries surrounding the making of The Shining.